In the context of Philippine cultural anthropology, harana represents a fascinating traditional practice of serenading as a form of courtship, deeply embedded in pre-colonial and colonial influences on Filipino social norms. While its historical roots in Spanish-influenced romanticism are well-documented, I am interested in exploring lesser-discussed contemporary evolutions. Specifically, how has harana been adapted in urban digital spaces, such as through social media platforms or virtual performances during the pandemic era? For instance, are there documented cases of hybrid harana practices incorporating modern music genres like OPM (Original Pilipino Music) or electronic elements, and what implications do these adaptations have for preserving intangible cultural heritage under UNESCO frameworks? Insights from cultural studies experts or fieldwork observations would be particularly valuable to this discussion.